This excerpt from Eno’s autobiography (English music producer,
especially in electronic music) goes viral every few months under the
label of "ugliness theory."
“Whatever you now find weird,
ugly, uncomfortable and nasty about a new medium will surely become its
signature. CD distortion, the jitteriness of digital video, the crap
sound of 8-bit — all of these will be cherished and emulated as soon as
they can be avoided. It’s the sound of failure: so much modern art is
the sound of things going out of control, of a medium pushing to its
limits and breaking apart. The distorted guitar sound is the sound of
something too loud for the medium supposed to carry it. The blues singer
with the cracked voice is the sound of an emotional cry too powerful
for the throat that releases it. The excitement of grainy film, of
bleached-out black and white, is the excitement of witnessing events too
momentous for the medium assigned to record them.”
The not-us.
Then the artist appears and fixes their attention on that ugliness. They do not ignore or hide it but instead observe it closely, with a mix of fascination and defiance. Rather than rejecting it, they embrace it and turn it into raw material. From it, they create a work—one that inevitably generates rejection and ridicule. But in that act, an alchemical process takes place: even through mockery, what was once banished from our anthropocentric conception of reality pierces its semantic wall and becomes part of culture.
Soon, the eye and ear adjust, and what once felt alien starts to feel familiar. Over time, as the future becomes the past, what was once despised turns into an object of nostalgia. And finally, in an ironic twist, what was ugly becomes beautiful.
What is culture laughing at today?
Comments
Displaying 0 of 0 comments ( View all | Add Comment )