-Charles Mingus The grief fed night stumbles onto the Avenue like a bum leg joker tired of night’s silence and reaching for sound. He descends, head down spinning toward nausea as noise streams through gutters. Bird pulls up from shadow straight at swarms of angels warbling like Loons on a fog covered lake. Weet deem waaaah, weet tao waa weem waaaaaaaaa. They say, “blow our voices through.” Blood and brass mix with spit and feather; with water and beak rise high towards a fragment of light. Wings pull tight to the body as the bird falls like a dead weight focused on a single black spot in the center of the earth as small as a grave. On the dirty ground he builds a mansion, a melody, a new technology of pure audible prayer. It’s not blood now, but wine and dreams that pull us through. Two crows shadow the desert, a storm cloud circles the exact spot at the center of a woman which mimics his horn rising. The air crisp and clean outside Birdland, and the tired club fills with smoke. Yardbird’s horn mourns the blue light of the living room, the national anthem ends to snow, as the moon peaks the midnight sky and death reeks of cheap wine.
Charlie Parker
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