It had to feel made, not manufactured

Music is more than just sound—it’s an experience. The best songs don’t just live in your ears; they take shape in your mind. Every song has a mood, a shade, a temperature. The art had to reflect that. That’s why the cover of Broken Images wasn’t just designed—it was painted. By hand. No sterile, digital perfection. No templates. Just real paint and textures, the same raw emotion that went into writing the songs in the first place.

The DIY approach makes it personal. It had to feel made, not manufactured. That meant embracing imperfection, smudges, ink stains, and all. It meant creating something that felt as tactile and honest as the music itself. In a world of polished, algorithm-optimized everything, I wanted something you could feel.

Because music isn’t just something to consume. It’s something to connect with, to step into, to hold. And if you’re someone who values that too, I think you’ll find something to love in Broken Images.