·.·・ about our music ·.·・

.・゜*·.·''·.·•゜welcome to . . .

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It's very hard to describe our music. Sadly, we just don't have a neutral, outer
perspective ear. We (try to) blend some commercial categories and dip into
niche or obscure music boxes like shoegaze, noise, muzak or dream pop. We also
listened to a lot of '60s and '70s records. We like underground synthpop. We
went out to dance to commercial 80s dance music in the 2010s. We grow up with
emo-internet and Y2K culture in our teenage years as well. We played a lot of
video games.

All of the above might be influential. Every thing can be influential. We don't really
know for sure where the stuff in our heads comes from. Local music journalism
called us weird, doing groovy kitsch and being experimental. Let's don't take
this kind of self-description too seriously. Initially, we said we do Dada.
Wherever it takes Tele Flûff. We like to strive through different eras of sound
and learn about their musical language. We butcher stuff, deconstruct, and
mould it with leftover Fluff.

This is what our publisher had to say about us:

The Viennese duo Tele Flûff likes the weird and out there. Surprise and nonsense
are, according to them, at the heart of their music. That’s not to say they do
not have influences, especially the music of the 1960s and 1970s. That’s also
why they like to start their songwriting process with a jam session, just the
two of them, drums and bass. They filter the best grooves, record all
instrumentals, cut them up and piece them back together. The characteristic
sound of a Moog synthesizer is the only common thread that runs through all
their songs. Tele Flûff’s music mirrors the chaos of their biographies:
fragments and moments of everyday life are turned into mosaics in music,
collage collatéral as the band itself calls it, a more or less accidental sound
collage along the axes trash/treasure, professionalism/dilettantism, pop/muzak.