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ambition shouldn't be such a cold word

i've been putting this blog off for a while know. i can't say quite why. it's that same feeling that you get when you open a new journal-- assuming you're like me in this way. you would think that the feeling goes away after posting enough blogs, but i guess not. i bet it doesn't help that i've had ideas of what i want to write about here for a little while now-- makes the possibility of fucking it up somehow feel even more real

i'm not really sure where to start, to be honest. i've been listening to a couple playlists on repeat lately-- one with some slow punk rock & grunge and another with really fast, hardcore punk rock. as i'm writing this, though, i'm listening to x's los angeles. it's one of my favorite albums recently. i love angry punk, but i feel like their voices in this album give me something close to anguish and it's so fucking cool

to be honest, the album feels kind of country to me, too? i don't know how to describe it-- it's just kind of adjacent in energy to amythyst kiah and other artists like her in my eyes

side tangent: it makes me sad that people so readily discard country as a genre. i think people forget it has roots in labor movements and revolutionary thinking and, like most amerikan music, was stolen from Black and poor people. i wish people would take a chance and listen to actual country instead of just rich white men cosplaying as blue collar before saying they hate it. if i didn't know better, hating country as a default would feel a little classist. hm...!

anyway, i also made a fairly weird playlist, recently-- for a class of mine, actually. it's one of those playlists that does Not work if you listen to it out of order, and i can't quite tell if i like it honestly, but it's definitely interesting. i called it break out the box (something something liberation something revolution and community). here's the link if you want it

i'm liking this poem i wrote about the playlist cover [also for the class] much more than i like the playlist for now. it's not the most polished, but i really just love how i played with enjambment in it. pretty proud of it, especially for a five minute poem. this is it-- very untitled at the moment:

i choose a playlist cover–
palestinian freedom fighters,
reading mao, all lined up
side by side, brothers
in arms, wishing:
they were just
brothers, wishing:
for a calm day to drink,
eat: every good food they know,
but they miss living more,
wishing for loving
that doesn’t mean mourning–
fighting; knowing it can be,
knowing this does not need
to be the end, knowing
that we have nothing to lose
but our chains and the dead
that would die– we would mourn–
anyway, and that we will be free
if it’s the last thing we will ever be

i'm finding it hard to really feel the holidays right now, with this ongoing genocide weighing so heavily on our world's shoulders. it's painful in so many ways. i found this instagram post, though, about feeling more as opposed to feeling better, and it's guiding me through. here's the link if you're interested

on a different but similar note about getting through, i started going to a new therapist with a pain psychology clinic, and it's pretty interesting. the first little assignment she gave me was to focus on positive sensations-- both internally and externally created-- and to let myself take advil if i need to. external positive sensations are easy, but finding any positive internal sensations has been weirdly hard, so i'm having to settle for neutral internal sensations

as for the advil, i usually avoid taking it because i like to try and solve the pain i'm feeling by addressing the root cause if i can (dehydration, minimal sodium intake, hunger, whatever), but i wonder if part of the reason i don't take it is pride, too. wanting to address the root cause can't account for the times i sit in bed with a headache and don't get up to do anything at all about it, you know? some sort of weird self-punishing behavior, maybe-- or i'm just exhausted and executive dysfunction-ridden. who knows?

either way, it's already surprisingly difficult, and i'm interested to see how she'll push me to do [or at least try] things differently

i've been coming back to this interesting piece about stoking the fire of our endeavors and ambitions instead of either waiting for inspiration to spike or forcing ourselves to do them despite not wanting to-- of course, here's the link in case you want to check it out

i have thoughts on the piece that i'd love to share, but i think i need to take time to really process it first. i'd love to hear any of your thoughts if you'd like to share, too, of course. the first thing that came to mind for me, though, was that i completely forgot people can actually force themselves to do things they don't have to do

one of my greatest flaws as a capitalist, if i were to be one, would be/is my absolute inability to motivate myself outside of interest in a topic. other things can totally motivate me [the need for good grades, for example, or the hope of getting something published], but i've never been someone who can really make myself just sit down and write or practice an instrument if i don't want to and there's not an external pressure

it got me thinking about how we motivate and celebrate each other and, to awkwardly bridge to another topic entirely, about the language we use when we do. in particular, i remembered two things. the first is a book called metaphors we live by written by both george lakoff and mark johnsen, which i really recommend you give a read or at least a skim. the second is how ocean vuong [whose poetry, i regret to say, i do not enjoy, though why is a topic for another time] talked about the same issue that lakoff and johnsen did when he was on late night with seth meyers

to quote him,

In this culture, we celebrate boys through the lexicon of violence. 'You're killing it.' 'You're making a killing.' 'Smash 'em.' 'Blow 'em up.' 'You went into that game guns blazing.' And I think it's worth it to ask the question: What happens to our men and boys when the only way they can valuate themselves is through the lexicon of death and destruction? And I think that when they see themselves only worthwhile when they're capable of destroying things it's inevitable that we arrive at a masculinity that is toxic.

when i think about how we fall back on pushing through the pain of finishing endeavors we're supposed to feel passion and joy toward or at least care about until we hate them, i think of this. the language of ambition and drive disregard the love that should be so integral to it all. it's sad to me that those words often bring to mind images of people working, working, working and never resting-- slaving over something to make it happen, even if it drains every bit of fulfillment from it-- becoming the tortured artist

this is coming to me as i'm writing it, but i guess that brings me back to why it was so hard to take the jump and write this blog. maintaining a blog is something i've wanted to do for a while, and even as i felt guiltier and guiltier for not posting anything, i avoided pushing through the pain of writing, waiting for inspiration. hopefully, in the future, i can learn to stoke the fire that is my will to write blog posts

i hope you're well, and taking care of yourself, and giving yourself grace where you need it

- xalli


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KoSbeku

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A lot of the popular country music around where I am comes from people of have like 0 connection to the life they sing about. I don't think that has to be a totally bad thing, its just they kind of do their best to obscure their history outside of it because their focus is really just appealing to certain aspects of it for money i think. It gets to be really shallow at a point.
I think whats odd for me is that i listen to country music semi often, but it just fails to register as "country music" because I've kind of associated the name with the really formulaic and empty lyrics I'm used to hearing lol.

also sorry i mean to respond to more but I don't think i really can right now (I also dont want to write a second blog in your comments ). took me a bit to get to reading as well. I enjoy relating to a lot of your thoughts and just how genuine this all feels and i imagine is. ✨✨✨


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yess i totally get that ! it makes me really sad. i love like real country— old and new. it’s all so wonderful. i can definitely understand not registering a lot of newer country especially as country, though. i think we often just categorize it as folk. also, don’t worry at all about how much you wrote ! means a lot that you said anything at all i really don’t mind how much people have to say in response to what i post, whether it’s a sentence or a five paragraph essay— it’s all wonderful to hear. i’m really glad you enjoyed the blog, thank you so much 💗

by xalli; ; Report

june

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This is sort of my area of expertise actually! Being a young person in classically trained music (American high school band), I have a lot of mixed feelings on the culture of productivity and success that is often the basis of most band programs in the US (unless you go to some hippie dippie alternative school). Now, the majority of band programs are normal. Not objectively outstanding or competitive, have a few incredible players, just a normal extracurricular. However, band programs that excel competitively or want to excel competitively play by different sets of rules. Auditions for honor bands at the state level, district level, marching band shows in specific circuits judged a certain way, etc. Through a lot of these processes, you start to feel your artistry break down. The majority of kids I play with probably wouldn’t immediately think of themselves as an artist doing art. I think a lot of it is a risk v reward thing. You stick your head out and prepare and get good, well, the stress is worth the novelty experience. But often, as I have been part of these high level bands, you find the stress doesn’t go away.


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yes i absolutely agree! and i think there is absolutely a way to balance that competition with the joy of creating art, but i really don’t know how we (especially in schools) can find it. i wonder if it’d require a reworking of the educational system altogether to achieve that (i’m for it LMAO). competition is amazing and important, but it’s sad that we often let it leave behind the care, passion, and love that came with picking up your instruments in the first place

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quinninhell

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beautifully written =) for me, true writing either comes from 1. strong emotion or 2. the melting pot of ideas that i get after reading. don’t guilt yourself for being afraid of the empty page. i’ve journaled for almost a year consistently because i discarded that fear and strove to create a snapshot in time, something to remember. however, recently i’ve been very inconsistent with my entries. i don’t blame myself. with booms come busts, with growth comes stagnation, with darkness comes light. it’s all what you make of it.


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awwwh, thank you so much. i definitely agree about where writing comes from, it feels the same for me. i think i need to work on stoking that fire of creativity instead of just waiting for it, though. we’ll see how that goes for me ! and that’s amazing about the journaling ! i try not to feel guilty either, but it can be hard. it’s not even a feeling of self-punishment, just like… sadness and disappointment. i’m hoping to work on that, though. we’ll see :]

by xalli; ; Report